When I started playing we did not have many compound radius necks, or none that I was aware of unless it was an exclusive option. Fender commonly uses a radius of 9.5in for its Strats and Telecasters, while Gibson Les Pauls have a fretboard radius of 12in. Using radius gauges, measure the fingerboard radius and the saddle radius and see if they match. Change ), You are commenting using your Google account. Neck Profiles: Fender Guitars | Guitars, Paramedics, Linux, and Me, FS: 2009 Les Paul Jr. P-90 Tobacco Rock Machine! 9.5 and 10 inch radius has been the new standard radius for Fender Stratocaster’s. What do they all... Steve Harris of Iron Maiden Let’s take a look a bit closer at what the most popular radius options have to offer. Gibson guitar necks are generally categorized into two types. R8 —————————– .925″ I’ll post another article on Fender Neck profiles later. Side note: Classical and flamenco guitars are super flat, if you find you enjoy the way that feels, a 14 inch or 16 inch radius will definitely work for you on an Electric Guitar. If the imaginary circle had a 12″ radius, your fretboard would follow that same arc. Anyway I hope you enjoyed this and if you have anything to add please feel free to do so by leaving your comments below. A rounder radius of 9.5 to 10 inches is popular for open position chords. This term is generically thrown around to describe a very fat neck and is often associated with the 50’s style neck. This is a neck where the radius is nice and flat at the higher frets, but becomes progressively curved as you make your way towards the nut. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. * The asymmetrical neck’s center line is moved .005″ toward the bass side. The Les Paul Junior returns to the classic design that made it relevant, played and loved -- shaping sound across generations and genres of music. Not only do body shapes affect the aesthetic but they also affect tone. After 35 years of playing I have now fully realized that I enjoy a straight 16 inch radius neck above any radius I have ever used. Whether you are new to understanding neck fretboard radius or are seasoned and have a pretty good idea of what you prefer, you should experiment with different playing styles on all types of radius to truly understand whether you like a traditional uniform radius across the entire neck or a compound radius. | Reply, […] like my Norlin "60's slim" necks at all….it has more "shoulder" to the neck. I will focus on Gibson electric guitars in this article because I have limited experience with playing Gibson acoustic guitars. The fretboard radius is a commonly misunderstood term, incorrectly referred to “neck radius”, which leads people to think about the wrong part of the neck. ** 30/60 is .030 of an inch thicker from front to back then the 60s slim, all the way up the neck. And you have lost some fret height. link to What In Ear Monitors Do Famous Singers Use. Most Les Paul fingerboards range between a 10″ and a 12″ radius. A Les Paul is thicker than a Fender Strat so there is more of a mass to resonate. 9.5 or 10 inch radius offer a good mix of curvature or arch on the top side of the fret board for playing chords and flatness for single note bending that does not buzz out or fret out. | Reply, RSS feed for comments on this post. I will focus on Gibson electric guitars in this article because I have limited experience with playing Gibson acoustic guitars.… i cam from a gibson 10 to 11 radius and fender 7.25 to 10 radius background. whereas on a flatter radius you can just hold the bar more uniformly in one position and run the slide up and down catching all the strings relatively cleanly. An excellent way to visualize this is to imagine that the arc of your fretboard is part of a large circle, as shown below. 14” inch radius is on the flatter side, still in the ballpark of Gibson and approaching the feel of an Ibanez. A quick note about radius and slide guitar is that you can make any radius work. I always liked Strats, and always liked Gibsons but wound up gravitating toward Strats because the string spacing is a bit wider than Gibson necks. Naturally, this makes the bigger radius popular among those playing lead guitar – a good example is the classic Gibson Les Paul, which comes with a 12” fretboard as standard and is played by the likes of Jimmy Page, Slash, and early Eric Clapton, among others. Ideally you will stumble upon a dimension where chords is a dream and soloing just gets better. While I appreciate the information you published I can’t help but think the conflation of neck tenons with neck profiles does a disservice to both topics as they are irrelevant and only loosely associated at best. Comment by S. Kindley — July 28, 2020 @ 2:52 pm ( Log Out / The Regular (sometimes called Standard) neck is a round neck shape that is 1/32 narrower and not quite as thick front to back as our Wide Fat neck.. I think most guitar players look for a particular “feel” about the neck when trying to choose a guitar. Not tenons or VOS. 50s Rounded —————- .870″ (from a 2008 SG) ( Log Out / And they are actually putting out more and more 12 inch radius options present-day. I personally don’t care for it for open position chords, and certainly not for soloing. Re: Gibson fretboard radius? The neck is thicker toward the bass strings resulting in the asymmetrical shape. Neck Profiles: Gibson 50’s & 60’s | Guitars, Paramedics, Linux, and Me […], Pingback by FS: 2009 Les Paul Jr. P-90 Tobacco Rock Machine! Change ), You are commenting using your Facebook account. Joint Gibson uses what is known as the Mortis & Tenon joint to bind neck to body so that the two pieces form one solid unit. You cannot really determine that until you have sat with all the popular sizes for a period of at least a week or so. But more and more companies are introducing a very slight radius as an option to capture more of an audience that otherwise would not be interested in a completely flat neck. The other option is a compound radius fretboard, as found on the 2012 Les Paul Standard. The bridge saddle radius should match or be slightly flatter than the radius of the fretboard. I personally do not because over the years I have found that there is something psychological that interacts with my playing where I feel I am more at peace playing on one set radius that is uniform all along the fret board from fret 1 to 21 or 22. While I mentioned a couple of radius sizes, there are a few more that vary to model these include: 7.25”- Typical of … So it’s not uncommon to see a radius’ somewhere between 16 inches and totally flat being offered. What In Ear Monitors Do Famous Singers Use? Vintage Fenders are 7.25 radius modern Fenders are 9.5 Most Gibsons are … The Gibson SG Standard rocks the classic looks and features associated with the late 60's style SG models sought after by many. but the general mantra contained in many of my posts is that if you start from a place where you are in awe of how great something feels or sounds at the get-go. As one can clearly see the newer 50’s style would more accurately be described as a 60’s neck profile. Gibson’s specifications during that time period were notorious for being inconsistent. I also was a product of my environment at the time falling into the 9.5 to 10 inch radius as they were the common dimensions for Strats when I grew up playing. They are also black and cream coils, although some were made with the neck pickup in a single color. I was vaguely aware, but fairly ignorant of the whole fret board radius issue until I realised what a challenge it had become moving between a 335 (12"), a modern Strat spec (9.5") and the vintage Strat spec (7.25"). Our necks have an extra support where the Gibson necks all break. Typically these ranges will be superfast necks for soloing where you will be able to literally push the strings for days without fretting out or buzzing out. A rounded profile mahogany neck, bound rosewood fingerboard, long tenon 19th fret neck joint, and a solid mahogany body provide the backbone for singing sustain. The following table lists common fretboard radii used by major manufacturer. Gibson guitar necks are generally categorized into two types. Interesting how it took me so long to stumble upon this but I simply never had a straight 16 inch neck before. 50s Early 1st fret ———— .900” 12th fret – 1.00” It’s a personal choice and depends on how and what you play. They are out there so just understand if you come across one it will be literally as flat as it gets while maintaining some form of radius. 1) above uses a 16″ radius. Some players will find the full second octave of a 24 fret neck is essential and I completely get that. Warmoth were offering Gibson bodies until they were asked to stop. I really enjoy soloing on Gibson necks that had a 12 or 14 inch radius neck as it felt effortless compared to a Strat which always seemed to need a little more dig and bite in the solo department due to the rounder radius. Well its not by luck, different necks have different radius. I’ll try to illustrate the difference between the “Baseball Bat”, 1959, and modern Gibson neck profiles with the graphic below. The average weight of the neck is .96 lbs. On the other hand, while Gibson varies slightly, their J-45 acoustic model has a 16” fretboard radius while most if not all of their electric guitar models sit in and a 10” to 12” radius. ( Log Out / The 12″ radius of a Gibson Les Paul Traditional. The neck on the right (Fig. The 490R and 490T Alnico II pickups provide the power to drive. Contrast of a 50’s & 60’s Gibson Neck Profile. The back is tapered toward the high strings, more closely matching the natural curve of your hand making it easier to reach the fretboard. Greats like Mark Knopfler or Bonnie Raitt did just fine on the rounder radius of the Stratocaster while Duane Allman and Warren Haynes found their sweet spots on Gibson style flatter radius. Having the strings set a bit higher allows you greater flexibility to slide up and down without clicking and clanking along any of the frets. Necks from this era were typically fat with smaller frets. Warmoth Custom Guitar Parts - Guitar Necks … Check Warmoth Guitar Products Here, They are a great resource for neck specs and much more. Two radius gauges should be all you ever need. 16” radius is about as flat as it gets for modern-day electric guitars with some rare exceptions, Ibanez will commonly have something like a 16.9 inch radius and Jackson guitars may commonly have a 12 to 16 inch compound radius (but more on compound radius in a minute). Then your task should be somewhat easier to find a size that works. Actually, the correct terminology would be either fretboard or fingerboard radius and the actual neck shape and size should be called the "neck profile." A guitar like the Stratocaster was such an incredible innovation that they grew up playing them that way and that’s ultimately the way they developed the muscle memory in their hands to be comfortable on that radius. Actually 9.5 has been there go-to radius for production model guitars for probably the last 30 years, with a 10 inch becoming more standardized within the last 10 years or so. So if you experience that you’re not quite satisfied with a particular radius, take a step back and think if it may have just been the neck profile that you didn’t like but the radius was really awesome.